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Archive for the ‘Venus’ Category

Noted RPG author and fantasy critic Kenneth Hite has just posted a review of the Planet Stories edition of C. L. Moore’s Northwest of Earth at Flames Rising. In the review, Hite takes on the common remark that Moore’s hero Northwest Smith set the mold for Han Solo, and makes a number of interesting observations about the stories in our collection.
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No, Smith may inhabit a solar system of Martian canals and Venusian swamps, but his adventures are less SF than a kind of lush, operatically colored noir. (Dario Argento instead of Sternberg?) As in noir, Smith can depend on nothing but his instincts to guide him: “a bed-rock of savage strength” is his real gift, an unbreakable will to survive as an individual that saves him time and again. He’s more Man With No Name than he is Han Solo. The world is strange, the city unfriendly (Smith spends a lot of time in various wretched hives of scum and villainy on Mars and Venus), and the girl … well, the girl is always the heart of the problem.

In the course of his review, Hite manages to coin my favorite phrase to date in a Planet Stories review: “This opalescent fog of language is the best thing about the stories; Moore reads like Clark Ashton Smith on Cialis.” That sounds very appealing, and makes me wish we were going to reprint immediately so I could put it on the back cover.

If you enjoy Ken’s review, I strongly urge you to pick up a copy of his latest critical work, Tour de Lovecraft: The Tales, which includes a short critical essay on every single story Lovecraft published under his own byline. It’s an amusing, insightful work sure to be of great interest to all Planet Stories readers.

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Northwest of EarthAuthor and noted sf critic Paul Kincaid has just posted a very thoughtful review of C. L. Moore’s Northwest of Earth: The Complete Northwest Smith, one of the most popular Planet Stories releases to date, to SFSite.com. Northwest of Earth collects all of Moore’s seminal Northwest Smith stories together in one volume for the very first time, from the debut story that launched Moore’s career in 1933 (“Shambleau”) to her final story featuring the outlaw of the spaceways in 1957 (“Song in a Minor Key”).

Kincaid summarizes Northwest Smith this way: “His natural habitat is the cheap bars, grungy hotels and dangerous alleyways of port towns on Mars and Venus. But this futuristic backwoods is only the stepping-off point for wild journeys of the imagination into exotic and erotic realms that always somehow open out from our base reality. From such dark and dusty starting points, the stories explode into colour; everything in these other realms is in scarlet or blue, purple or gold. Always bold primary colours, there are no tints, shades or pastels to be seen, for these are bold primary adventures.”

I was particularly struck by Kincaid’s observation regarding the use of doorways and passages in the Northwest Smith stories. Indeed, when we first meet the character he is standing in a dusty Martian doorway, and many of his adventures take place in otherworldly realms accessed through portals of various kinds. In this way Smith shares many similarities with Moore’s other prominent character, the Dark Ages swordswoman Jirel of Joiry, whose seductive fantasies are collected in the Planet Stories edition Black God’s Kiss.

Unlike Jirel, who can be read as perhaps the first feminist sword & sorcery protagonist, Northwest Smith has a somewhat more complicated approach to sexual politics. The women he encounters are usually tied up with danger and even death, and while the Smith stories represent some of the most sensually described tales of the pulp era, there is a complex morality play going on that makes Moore’s stories more fascinating because they were written by a woman.

As Kincaid puts it, “Sex, itself a ‘nameless’ subject in the popular literature of the relatively straitlaced 1930s, was a fairly common subtext of those encounters with the mysterious that were related in the typical weird tale, and a suggestion of the erotic must have been a selling point in colourful popular magazines. But the sexual aspect of Moore’s Northwest Smith stories is hardly a subtext, the imagery is too potent, too central, too omnipresent for that. These are stories in which sex is death, beauty is a commodity independent of the person, and women are a danger and must be killed.”

 

Illustration by Jean-Claude Forest.

Illustration by Jean-Claude Forest.

I think the latter observation is layering it on a bit thick, but a certain sensuality and sense of sexual danger pervades the Northwest Smith stories, which for me makes them all the more fascinating. Plus there’s heat guns and ruined cities and monsters and stuff, threads of pulp adventure that give the stories life and excitement beyond their considerable subtext.

 

You can learn more about reviewer Paul Kincaid by visiting his website. Copies of Northwest of Earth: The Complete Northwest Smith are available direct from the publisher at paizo.com.

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